LYDIA, OH LYDIA … ! ELMER ISELER SINGERS SCINTILLATING SUNDAY NIGHT
Mark Clairmont | MuskokaTODAY.com
GRAVENHURST — If you love music even a transistor radio would have rocked your socks. When stereophonic sound replaced LPs you were over the moon.
It’s like listening in Carnegie Hall.
Hearing the Elmer Iseler Singers at the Opera House Sunday night was all of the above — and beyond.
An a-choired taste that’s a savoury taste.
Lydia, oh Lydia — that would be conductor Lydia Adams — what a magnificent performance you and your singers put on.
The first of two Muskoka Concert Association (MCA) dates this season for the venerable Gravenhurst music and arts organization was splendid. It was spectacular. Impressive and dramatic with lyrical and audible power.
But the pureness, clarity, pitch and tone of the Toronto-based professional choir — paired beautifully with the ancient beauty of the wooden recital hall — put the audience inside a live, vibrating speaker box that had tucked in it the deep sub-woofer sounds of the basses, baritones and tenors backing the searing voices of the sopranos, altos.
The dozen pieces split equally in to halves felt too short depriving listeners who yearned for more. But two-and-a-half hours alone of singing a demanding vocal program was understandably nonetheless appreciated.
With pianist Dakota Scott-Digout’s tasteful accompaniments Bach, Mendelssohn, MacMillan, Dubinsky and other well-known and lesser-known Canadian classical and contemporary composers had their compositions treated gracefully, exquisitely, charmingly, attractively, prettily, delightfully, appealingly, seductively, alluringly, elegantly, gorgeously, sublimely, bewitchingly, entrancingly, handsomely, divinely, sumptuously, sweetly and enchantingly as pencilled a first time on sheet music.
During one particularly pregnant pause — before the applause — soprano soloist Clare Renouf reached a soaring crescendo at the end “The Bluebird,” which mesmerized the 160 choral lovers as they let the dormant note linger before vigorously putting hands together in an enthusiastically grateful response.
Adams programmed a nice nod to Robert Burns that heard tenor Mitchell Pady (Cellar Singers conductor) and baritone Paul Winkelman combined on a Celtic Suite second the end.
For their finale, Adams arranged Leon Dubinsky’s “We Rise Again,” which captured and concluded a concert that was a reprise of a similar one the acclaimed Canadian choral group presented for the MCA in 2016 and that is certainly destined to be repeated as requested from all accounts by the choir, the concert association and the audience.
The MCA’s next concert is Oct. 20 at 2 p.m. and is a sure to be another crowd-pleaser with Bridge and Wolak, a clarinet and accordion duo fusing classical, jazz and world music with an entertaining passion for performance.
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